An eerie drone builds over the tinkle of what sounds like a toy piano… the sound building and growing, setting up the start of the second chapter of this dark world… the illusion… the journey… the story… the mystical world of Corban Samuels. Welcome to Part 2 of the dark ‘other worldly’ place that Christchurch songwriter Sam Reed has created with his Death to Birth E.P.’s under the name Corban Samuels.
Keeping true to the first album, Sam has kept the cinematic approach. While this approach has it’s strength, as in the way you read each chapter of a book in order, it means that the album is not really one you listen to for your favourite single. While others have had this sort of approach to writing ‘concept albums’, I have yet to hear something put together in such a story-like flow as this is. It’s great to know that Sam had the sense not to disrupt the story with what would have only been a filler or hit single. Sam gets it…. when you’re creating something so cinematic, so grand, so dark, you’re taking people on a journey. You can’t let the illusion go, otherwise people will snap out of the world that you have created around them. This is a dark album, although not as dark as Death to Birth Part 1, which in some parts was quiet uncomfortable (especially if you were listening at home alone in the dark).
Sam sets up the album with over four minutes of instrumental. This works well with this style of album. It’s like watching the title sequence of your favourite thriller music, or maybe Harry Potter movie.
The first words that are uttered on the album come at the start of the 3rd song called ‘Tonight’. “Dear Friend, those tears you cry are not wasted at all” . The vulnerability of the song draws you in as Sam sings, “Let me Dance with you, let me hold you tight, let all your cares be forgotten tonight” – it’s sweet, yet it’s dark. It’s like listening to a love song in a Tim Burton movie…. it’s endearing, but like lovers caught in the dark.
For maybe the first time over the 2 E.P.’s ‘On the Outside’ gives us some light, some hope to the story. It feels like the clouds are parting and the rain has stopped. You can almost feel rays of light touching the skin of the players of this story which you have become a part of.
The album finishes with the same cinematic approach to the start of the album… a great book end.
The closest thing I can think of in the concept style of music that Sam comes with is the music that ex-DC Talker Kevin Max has brought out the in the past. Sam brings a very alternative or indie pop rock approach to the table and while it’s great to see someone putting out stuff that doesn’t fit neatly into the mainstream music market, it has to be a lonely road. This is not the kind of music to make friends and influence people… these are albums that challenge you musically, challenge you mentally… challenge you!
Great work Sam for sticking to your guns. You really can’t do concept albums like this half pie and you have taken leap of faith needed for this.